Sunday, January 28, 2018

2018 Oscar Nominations Are In




Promotional Material For The Oscars

BY JALESSA CASTILLO

This year’s Oscar nominations have already begun to fuel debates and discussions over which films, creators, and performers will win big.

The Academy Awards’ long and distinguished history began in 1930 when the awards ceremony was first broadcast on radio, it would not be televised until 1953. The ceremony, which is now broadcasted in over 200 countries, is used by the Academy of Motion Picture Arts and Sciences (AMPAS) to recognize excellence in cinematic achievements, as assessed by their members. The various category winners are awarded a copy of a golden statuette, called the "Academy Award of Merit", which is commonly known by its nickname "Oscar".

This year “The Shape of Water” leads the pack with 13 nominations, only one short of the record. The R-rated romantic fairytale is up for best picture and best screenplay. As for the people involved; Guillermo Del Toro was nominated for Best Director, Sally Hawkins is up for Best Actress in a Leading Role, Octavia Spencer is up for Best Actress in a Supporting Role, and Richard Jenkins is up for Best Actor in a Supporting role. The movie is also nominated in a multitude of technical categories. 

Some surprises this year include Christopher Nolan being nominated for Best Director, as this is his first nomination in the category.

Additionally, the Oscars made history with the nomination of “Mudbound” cinematographer Rachel Morrison. She is the first woman to be nominated in that category.

I am personally rooting for “The Post”, “The Shape of Water”, and “Get Out”.

Jimmy Kimmel is set to host the ceremony March 4 on ABC.


Best picture
“Three Billboards Outside Ebbing, Missouri”
“The Post”
“The Shape of Water”
“Dunkirk”
“Lady Bird”
“Get Out”
“Call Me By Your Name”
“Phantom Thread”
“Darkest Hour”

Best actress in a leading role
Frances McDormand, “Three Billboards Outside Ebbing, Missouri”
Saoirse Ronan, “Lady Bird”
Sally Hawkins, “The Shape of Water”
Margot Robbie, “I, Tonya”
Meryl Streep, “The Post”

Best actor in a leading role
Gary Oldman, “Darkest Hour”
Timothee Chalamet, “Call Me By Your Name”
Daniel Day-Lewis, “Phantom Thread”
Daniel Kaluuya, “Get Out
Denzel Washington, “Roman J. Israel, Esq.”

Best director
Christopher Nolan, “Dunkirk”
Guillermo del Toro, “The Shape of Water”
Jordan Peele, “Get Out”
Greta Gerwig, “Lady Bird”
Paul Thomas Anderson, “Phantom Thread”

Actress in a supporting role
Allison Janney, “I, Tonya”
Laurie Metcalf, “Lady Bird”
Octavia Spencer, “The Shape of Water”
Mary J. Blige, “Mudbound”
Lesley Manville, “Phantom Thread”

Actor in a supporting role
Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”
Willem Dafoe, “The Florida Project”
Richard Jenkins, “The Shape of Water”
Christopher Plummer, “All the Money in the World”
Woody Harrelson, “Three Billboards Outside Ebbing, Missouri”

Best animated feature film
“Coco”
“Loving Vincent”
“The Breadwinner”
“Ferdinand”
“Boss Baby”

Best adapted screenplay
“Call Me By Your Name,” James Ivory
“Mudbound,” Virgil Williams and Dee Rees
“Molly’s Game,” Aaron Sorkin
“The Disaster Artist,” Scott Neustadter and Michael H. Weber
“Logan,” Scott Frank, James Mangold and Michael Green

Best original screenplay
“Get Out,” Jordan Peele
“Lady Bird,” Greta Gerwig
“Three Billboards Outside Ebbing, Missouri,” Martin McDonagh
“The Shape of Water,” Guillermo del Toro and Vanessa Taylor
“The Big Sick,” Emily V. Gordon and Kumail Nanjiani

Best foreign language film
“Loveless”
“A Fantastic Woman”
“The Square”
“The Insult”
“On Body and Soul”

Best documentary
“Faces Places”
“Strong Island”
“Last Men in Aleppo”
“Icarus”
“Abacus: Small Enough to Jail”

Best original song
“Remember Me,” “Coco”
“Mighty River,” “Mudbound”
“This Is Me,” “The Greatest Showman”
“Mystery of Love,” “Call Me By Your Name”
“Stand Up for Something,” “Marshall”

Best cinematography
“Blade Runner 2049,” Roger Deakins
“The Shape of Water,” Dan Laustsen
“Dunkirk,” Hoyte Van Hoytema
“Mudbound,” Rachel Morrison
“Darkest Hour,” Bruno Delbonnel

Best production design
“The Shape of Water,” Paul D. Austerberry
“Blade Runner 2049,” Dennis Gassner
“Dunkirk,” Nathan Crowley
“Darkest Hour,” Sarah Greenwood
“Beauty and the Beast,” Sarah Greenwood

Best film editing
“Dunkirk,” Lee Smith
“Three Billboards Outside Ebbing, Missouri,” John Gregory
“The Shape of Water,” Sidney Wolinsky
“Baby Driver,” Jonathan Amos and Paul Machliss
“I, Tonya,” Tatiana S. Riegel

Best original score
“The Shape of Water,” Alexandre Desplat
“Dunkirk,” Hans Zimmer
“Phantom Thread,” Jonny Greenwood
“Three Billboards Outside Ebbing, Missouri,” Carter Burwell
“Star Wars: The Last Jedi,” John Williams

Best visual effects
“War for the Planet of the Apes,” Joe Letteri, Daniel Barrett, Dan Lemmon and Joel Whist
“Blade Runner 2049,” John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover
“Star Wars: The Last Jedi,” Ben Morris, Mike Mulholland, Neal Scanlan and Chris Corbould
“Guardians of the Galaxy Vol. 2,” Christopher Townsend, Guy Williams, Jonathan Fawkner and Dan Sudick
“Kong: Skull Island,” Stephen Rosenbaum, Jeff White, Scott Benza and Mike Meinardus

Best costume design
“Phantom Thread,” Mark Bridges
“Beauty and the Beast,” Jacqueline Durran
“The Shape of Water,” Luis Sequeira
“Darkest Hour,” Jacqueline Durran
“Victoria and Abdul,” Consolata Boyle

Best makeup and hair styling
“Wonder,” Arjen Tuiten
“Darkest Hour,” Kazuhiro Tsuji, David Malinowski and Lucy Sibbick
“Victoria and Abdul,” Daniel Phillips and Lou Sheppard

Best sound editing
“Baby Driver,” Julian Slater
“Dunkirk,” Richard King and Alex Gibson
“Blade Runner 2049,” Mark Mangini and Theo Green
“The Shape of Water,” Nathan Robitaille and Nelson Ferreira
“Star Wars: The Last Jedi,” Matthew Wood and Ren Klyce

Best sound mixing
“Dunkirk”
“The Shape of Water”
“Baby Driver”
“Blade Runner 2049”
“Star Wars: The Last Jedi”

Best documentary short subject
“Heaven Is a Traffic Jam on the 405”
“Edith+Eddie”
“Knife Skills”
“Heroin(e)”
“Traffic Stop”

Best animated short film
“Lou”
“Dear Basketball”
“Negative Space”
“Garden Party”
“Revolting Rhymes”

Best live action short film
“My Nephew Emmett”
“DeKalb Elementary”
“The Silent Child”
“Watu Wote / All of Us”
“The Eleven O’Clock”

Sunday, January 21, 2018

Review: ‘Star Wars: The Last Jedi’ Blasts Into Theaters And The Box Office


Star Wars: The Last Jedi Movie Poster

BY JALESSA CASTILLO
Trumpeting music, scrolling text, light sabers, and of course the force.
The block buster space opera known as the Star Wars franchise returned to the big screen in a big way. It lead the box office with a $220 million opening weekend and an accumulative $400 million domestic and $777 million earned worldwide in only 11 days.
With a lengthy history among fans, ‘Star Wars: The Last Jedi’ becomes the 8th episode in the ongoing saga of the Skywalker family. Building upon the ever growing universe and introducing new characters, conflicts, and elements while also remaining true to the classic 70s films.
Picking up directly after the last movie ‘The Force Awakens’ we are reunited with the Rebels as they face the impending danger of The First Order. Supreme Leader Snoke (Andy Serkis) leads The First Order as it intends to put an end to the Rebel cause once and for all. Under the command of Snoke stands his sith apprentice Kylo Ren (Adam Driver) and General Hux (Domhnall Gleeson). With the Rebellion hanging in the balance Rey (Daisy Ridley) seeks help from the now-legend and former Jedi Master Luke Skywalker (Mark Hamill).
In need of a teacher to show her the ways of the force Rey must decide which path she will follow. With a hermit Luke pulling her toward the light side and a mysterious Kylo Ren pulling her toward the dark. The balance of light and dark grows evermore construed when it becomes apparent that Rey and Kylo Ren have a force bond with each other and that both have teetering allegiances to both the light and dark sides.
Meanwhile, the rebels are on their own and are forced to flee from their base. When General Leia Organa (Carrie Fisher) is wounded Vice Admiral Amilyn Holdo (Laura Dern) is tasked with successfully saving the cause. However, not all see her as a good choice to be the leader. In an attempt to save the Resistance his way, Poe Dameron (Oscar Isaac) sends Finn (John Boyega) and Rose Tico (Kelly Marie Tran) on a secret mission to retrieve a “code breaker” and break onto The First Order’s ship.
“This was the most exciting movie I’ve seen all year,” said Deanna Diaz. “I appreciate the nostalgic moments and story lines that kept me at the edge of my seat!”
While a critical and commercial hit, some found the newly Disney acquired movie to lack the fantastical action sequences that were such a remarkable staple of the preceding films in the series. As this is the first trilogy without original creator George Lucas’ involvement some fans feel it is lacking what Lucas creatively brought to the table.
“Star Wars, for what it represents, is groundbreaking cinema. Its story arcs, the characters, the battle sequences, and the universe it has produced are multi-generational,” said Devin Heflin. “The Last Jedi symbolizes a breaking away from what made the franchise great in an attempt to make the franchise greater.”
Nevertheless, based off its rave reviews and such a big opening weekend it can be said that a majority of people love the spin that Rian Johnson, the director and writer, took on this addition to the series.
I highly recommend going to the theater to see this movie as it is sure to be one of the best of 2017. I also look forward to what the future movies will bring as this left many unanswered questions in regards to fate of Kylo and Rey, the Rebellion, and the overall future of the franchise. Alas, fans do not have to wait too long for more Star Wars, as ‘Solo: A Star Wars Story’ is set to be released in theaters this year but until then “May the force be with you”.